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©St. Louis African Chorus,
June
2003. All
rights reserved.
News Tidbits
Nairobi, Kenya:
The Kenya Cultural Music Festival came to an end yesterday (Dec. 11, 2003) with
a big bang! The finalist concert included dances, cultural displays and choral
performances drawn from the 42 different ethnic tribes of Kenya. As with
previous years participating groups came from private and public companies,
churches, thaetre groups, cultural dance groups, etc. There was some Western
music, with presentations at the piano, brass, and vocal selections. We also had
a performance from the Indian community in Kenya too. A wide range of African
instruments also featured this year, and it was quite educational for our urban
youth to watch, listen, and to appreciate the skills of the performer. Blasto
Ooko, the famed Orutu (a 1-stringed fiddle) player gave a most incredible
presentation. People were astounded to hear all their common folk tunes
performed on this single-stringed instrument was able to play many common tunes,
and of course, the audience sang heartily with Blasto most of the time! There
was rich poetry and short plays in both local languages and in English. In this
category storytelling captivated the audience the most, as crafty storytellers
kept everyone at the edge of their seats. Outside the performing halls there
were exhibitions on Kenya’s lifestyles, fashion, and cuisine. The Guest of
honour, Prof.Wangari Mathai gave a very encouraging speech on the government’s
intent to maintain cultural programming in its budget. She said she would work
hard to ensure that local artists make a modest living from their work. The
Chairman of the festival, Hon.Boniface Mganga also gave a very encouraging
speech. He asked artists not to give up, reminding them that they now have a
voice in Parliament. Mr. Mganga, founding director of the famed Muungano
National Choir, pointed out key issues on how culture can be promoted not only
in Kenya but also in Africa at large. “Music has the capacity to transmit
messages far and deep across the world,” he said.
- Joseph Muyale Inzai.
St. Louis, MO:
The St. Louis African Chorus begins a new series called African Choral Odyssey
Series. The African Choral Odyssey Series is a mosaic of vibrant choral music
from diverse regions of Africa, and has been designed to educate the public
about the diversity of African choral music. Audiences will experience
world-class entertainment, and in the process be enriched in the nature and
diversity of African choral music. Events scheduled in the dances of southern
Africa, and The Boys Choir of Kenya. Upcoming concerts and ticket information
online at
www.africanchorus.org/Calendar.htm.
Kansas City, MO:
The date is October 22-24, and the magnificent campus of Park University,
Parkville. The Festival of African & African-American Music returns to Missouri.
See page 6 for details.
Spokane, WA:
Senku: Piano Music by Composers of African Descent by William
Chapman Nyaho. The selections recorded on this CD show an influence of both
African and Western cultures. The African elements may manifest themselves on a
melodic, harmonic and rhythmic level, whereas the structure of the work may be
more easily identified as Western. Senku contains compositions by Joshua Uzoigwe
(NIGERIA,1946-), Oswald Russell (JAMAICA, 1939-),Coleridge-Taylor Perkinson
(USA,1932-), Samuel Coleridge-Taylor (ENGLAND, 1875-1912), Margaret Bonds (USA)
(1913-1972), Gamal Abdel-Rahim (EGYPT) (1924-1988), Robert Nathaniel Dett (USA,
1882-1943), Gyimah Labi (GHANA,1950-). Senku is available from MSR Classics. You
may also order online from http://www.nyaho.com/senku.htm.
New Orleans, LA:
Since June 1996 African Chorus has held camps, workshops and other
interactive arts events across North America, South America, Europe, Asia, and
Africa. Instructors from Uganda, Liberia, Kenya, the Congos, Ghana, Nigeria,
Senegal, Guinea, Gambia, Namibia, South Africa, Egypt, and other parts of Africa
have participated. Each event has attracted its own following to the African
Chorus Project. Most choral directors in the United States and Europe are now
programming African music with increased confidence. More sheet music is being
engraved and made available to the public. New social bridges are being
developed across racial, ethnic and religious lines.
Schedule an African Choral Music Camp or Workshop in your area today. At each
session students and teachers rehearse daily under the expert leadership of a
renowned African choral director. Emphasis is on choral music, but there’s also
some instruction on instrumental accompaniment, choreography, dance, gesturing,
and other performance practices. At the end of each workshop or camp
participants give a concert or more, depending on the volume of repertoire
mastered. New friendships and bonds are formed. There’s usually a large
selection of sheet music to purchase and to build a repertoire of African choral
music. This season instructors are expected from Kenya, the Congo, Nigeria,
Botswana, Benin Republic, among others. Each event is tailored to meet the need
of the presenter, and all activities encourage multigenerational and multiracial
participation.
The African Choral Music Camps & Workshops® is now administered
by the New Orleans African Chorus. To schedule an event in your area call
504-813-1443 or email
workshops@africanchorus.org.
Washington, D.C:
The USA pipe organ radio show Pipe Dreams played
selections from the Spiritual Fantasy album in February. You can listen to
it online at Pipedreams”http://www.pipedreams.org/listings/shows02_02.htm>Pipedreams.
This was another momentous occasion for organist Lucius Weathersby, and
flutist Wendy Hymes on the CD. Recorded at the 1864 Willis Organ at St.
Michael & All Angels Church, Great Torrington, Devon, England, the CD
(Albany CD-4409) is available in stores and at
www.albanyrecords.com
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